Saturday, October 1, 2016

Ashes Fly!

                It’s been a busy week, the introductory course in financial planning is behind me and the wheels have been set in motion to find a placement for an internship.  The next course begins on Tuesday but I am putting the odds at 50/50 that Monday will bring an email that the class has been canceled for lack of sufficient enrollment, just as it was last time.  Meanwhile, in my last post I lamented that I had had a serious computer fart while submitting “Ash Wednesday” to my very first screenplay contest and thought I had ruined my chances.  I have taken delivery of my new computer but since it is missing some essential components, I continue to work on my laptop.  Since this debacle began, I have been sending weekly updates on Sunday but, today is September 30th and, as was pointed out in last week’s update, September 30th this year was destined to be special.  It turned out to be special in more ways than one.  So because of the special things that happened today, I am sending this week’s update on Friday instead.  The day’s events can be summed up handily in two words – Ashes Fly!

                September 30, 2016.  As pointed out last week, that was the date that our friend Jim Rickards had predicted that the economy would collapse, urging everyone to put everything they had immediately into gold, though if you watched his entire video, he was really looking to sell an advisory program for $49/year, which in fact turned out to be $100/yr non-refundable.  So he was making $100 a pop from anybody buying into his shtick.  Rickards is a doom-and-gloomer, way extreme for my tastes though some of the gentlemen in my finance group like him and think he’s on the money.  Of course he’s been predicting the collapse of the economy for years now and it doesn’t seem to bother anyone that he hasn’t been right about anything yet.  Imagine a class of otherwise intelligent people purporting to be serious investors and yet have missed out in the past eight years on the biggest bull market in history simply because they listen to people like Rickards who keep saying cataclysm is right around the corner. 
                Today there was a rather significant event in the global markets.  Deutsche Bank in Germany, which has been in serious trouble for most of the last eight years, got bad news three weeks ago when the U.S. Justice Department levied a $14 billion fine against them for their rather substantial role in the subprime mortgage debacle that triggered this Great Recession.  Yesterday it hit the fan when Angela Merkel made very clear that there would be no bailout for Deutsche.  The market tumbled big as there were serious doubts that Deutsche had the liquidity to survive a $14 billion hit.  Hedge funds the world over started pulling their money out of the big bank and this led to further fears that it would soon snowball into other banks and the entire financial sector. 
                Today it was announced that Deutsche had reached a settlement with the U.S. to lower the fine to $5 billion dollars and thus the entire banking industry breathed an enormous sigh of relief.  Everyone was confident that they could handle a $5 billion hit without going out of business and it shot the market up big time today.  Sorry Jim!  Not only was there no collapse but the market ended up having one of its best days ever with all three major indexes closing with three straight weeks of gains.
                So no cataclysm for September 30th, but then we already knew that.  That’s the good thing that happened on a global note.  On a personal note, there was also some very good news today on the “Ash Wednesday” front.  As I said, ashes flew.  

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                I last reported the great formatting debacle with the Fresh Voices contest.  For some inexplicable reason, the scene on page three repeated after about three paragraphs.  If this had happened on page 103, no big deal.  But on page 3, I was very concerned the judge would be so turned off that he or she would not read further.  It turned out to be no big deal.  The judge had not yet read the script so they were happy to have me send a corrected copy and they would do a simple substitution.  What has happened since then is that I got news of two additional contests, both of which promised not one but two judges reports.  That would make a total of five new evaluations that would hopefully produce some clarity for future polishing. 
                The two contests in question are the Diverse Voices competition and the WeScreenplay competition, both in L.A.  About two weeks ago, I got the first judge’s report from Diverse Voices.  It was not very complimentary.  Overall, I placed only in the 49 percentile.  Most of my other grades were worse, only in the 30 percentile range.  For originality I got a paltry 36 percentile.  I did better with dialogue, my big strength, pulling down a 50 percentile.  I did best in writing style and character development, both at 80 percentile. 
                But the criticisms were not at all helpful.  “How did the villain expect to get away with the murders when they’re throwing and breaking things?  That would show a definite sign of struggle to any investigator.”  How do I respond to that?  There is no scene in the script where the villain throws and breaks things.  Either the judge only read it very quickly and superficially or he had my script confused with someone else’s.  He wanted to know why the villain was fishing the body out of the pool at the end.  Wouldn’t that just create more evidence?  Again, I had a clear descriptive passage in that scene that he had to fish the body out in order to dispose of the evidence.  Was the judge just reading much too quickly and completely missed that?  Thus is the concern with these contests as many of the readers are probably just newly minted grad students who are being paid all of $10 per script to read and write a report.  You can bet they’re reading as quickly as they can for that kind of dough, which makes the entire screenplay contest process very suspect. 
                But the real zinger was that he felt my opening scene – the scene that everyone else bar none considers the strongest part of the script, a terrific hook that pulls the reader in and builds suspense throughout the story – as a huge mistake.  He said that rather than building the suspense, it killed it for him.  He actually had no interest in reading the rest of the screenplay after that opening scene.  So it was not at all a good report which left me wondering whether I was just getting what I was paying for.  It was a mere $25 reading fee compared to the $200 I paid Elizabeth Stevens for a far better report. 

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                So today, when report #1 from the WeScreenplay competition came in, I was almost afraid to open it.  I’ve been under the weather since Wednesday and didn’t want to get depressed again.  I was going to save it for a while but curiosity finally got me and I opened it. 

                Wow!  This report was absolutely glowing.  Though most of my readers have loved the script, the one major criticism I have received is that my story was breaking the rules of suspense and thrillers.  Well, I was doing that on purpose.  What inspired this script to begin with was that I felt I had come up with a fresh new way of telling a suspense story.  I thought I was doing something unique that I had never seen before and, for my efforts, was met with comments that I needed to stick with the formula because what I had written did not fit any category.  They did not get what I was going for.  Would I have to rewrite it and make it more conventional if I hoped to ever sell it? 
                This particular judge got it, got it big!  This particular judge understood exactly what I was going for  … and loved it!  “To be honest, this is one of the strongest scripts I’ve read in quite some time.”  And that was just the beginning of the praise fest. 
                “I was drawn into the story immediately thanks to your inherent storytelling talents, idiosyncratic dialogue which is on display right from the very beginning and steals the show throughout, rich characters, and strong conflict.” 
                “There’s an inherently strong concept in place, one that has a classical element to its plot and structure and is easy to get drawn into thanks to the strength of the characters and the originality of the hook.  The pacing is steady, the tone consistent, the characters rich, and the dialogue more than rings true.” 
                “An excellent draft that I believe is worthy of further development.” 

                And there’s the kicker, for the prize for winning this contest is a trip to L.A. to meet with agents and production executives in polishing the script for actual sale and production.  I dunno, this is beyond my wildest dreams but it sounds like I might actually have a shot.  I may not win but I’m beginning to think that I have a chance to place.  There are the quarter-finals that come up in January, the semi-finals in the spring, the finalists announced at the beginning of next summer and the winner at the end of the summer.  The winner goes to L.A.  But I think even at the quarter-finals you are guaranteed that your script will be sent to a bonafide agent for evaluation and consideration.  That would be great!  I’ll be so thrilled if I get just that much.  Actually, I’m already thrilled enough. 

                His final comment:  “Again, this is an incredibly strong, character-driven drama and I honestly believe it’s one of the best and most original I’ve read in quite some time.  Keep at it!   It will be well worth it.”

                And the grades:
                Overall:  93 percentile
                All of the other categories were in the 90 percentile range.  Writing style 93 percentile. 
               
                Originality:            99 percentile! 

                I have written a new and refreshing kind of suspense thriller and he got that! 

                What a difference a different judge makes.  It does all boil down to personal points of view so the lesson to be learned is not to take the bumps in the road too seriously and to just keep submitting until something clicks.  Criticism is fine as long as it’s constructive and makes sense.  But when they find fault with something that’s not even in the script, or worse, suggest that you put something in that’s already there but they just missed it; that is not useful at all. 

                So yes!  Receiving this report today has had me flying high, anxious to keep writing, get going on the next script and continue to percolate on how to improve this one. 


                So that’s how my week went.  Not bad.  And the economy did not collapse!  

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